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Posts Tagged ‘James Longenbach’

T. S. Eliot: Man and Poet, vol. 1

Edited by Laura Cowan

CONTENTS

“A Shape and a Significance”: Eliot’s Works in General

A.D. Moody, “Eliot’s Formal Invention”

Ronald Bush, “‘Turned Toward Creation’: T.S. Eliot, 1988”

James Longenbach, “Uncanny Eliot”

Hugh Kenner, “Eliot and the Voices of History”

Russell Elliott Murphy, “Eliot’s Grandchildren: The Poet of The Waste Land and the Generation of the Sixities”

Shyamal Bagchee, “Eliot’s ‘Only’ (and ‘All’)”

“The Whole of Literature: A Simultaneous Existence”: Eliot and Foreign Works

Harvey Gross, “Compound Ghost, Triple Devil, Terminal Books”

Joan Fillmore Hooker, “Visions and Revisions: ‘Gerontion’ in French”

Mohammad Shaheen, “Eliot in Modern Arabic Poetry”

“The Three Voices”: Eliot’s Individual Works

Early Poetry

Edward Lobb, “Chamber Music: Eliot’s Closed Rooms and Difficult Women”

The Waste Land

Joseph Bentley and Jewel Spears Brooker, “How to Read the End of The Waste Land

Ash-Wednesday

Louis L. Martz, “Ash-Wednesday: Voices for the Veiled Sister”

Four Quartets

Barbara Everett, “East Coker: The Village of the Heart”

Cleo McNelly Kearns, “Doctrine and Wisdom in Four Quartets

James E. Miller, Jr., “Four Quartets and an ‘Acute Personal Reminiscence’”

Drama

Richard Badenhausen, “‘When the Poet Speaks Only for Himself’: The Chorus as ‘First Voice’ in Murder in the Cathedral

W.B. Worthen, “Murder in the Cathedral and the Work of Acting”

“A Distinctive Activity of the Civilized Mind”: Eliot’s Criticism

J. P. Riquelme, “Aesthetic Values and Processes in Eliot, Arnold, and the Romantics”

Sanford Schwartz, “T.S. Eliot and the Revolt Against Dualism: His Dissertation on F.H. Bradley in Its Intellectual Context”

Jeffrey M. Perl, “A Post-War Consensus”

Richard Shusterman, “Reactionary Meets Radical Critique: Eliot and Contemporary Cultural Criticism”

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