Posts Tagged ‘John Peck’

David Jones: Man and Poet

Edited by John Matthis


The Man

T. S. Eliot, “A Note on In Parenthesis and The Anathemata

W. H. Auden, “On IN Parenthesis, On The Anathemata

Stephen Spender, “David Jones”

Hugh MacDiarmid, “An Identity of Purpose”

Kathleen Raine, “From ‘David Jones and the Actually Loved and Known’”

Michael Alexander, “From ‘David Jones’ and ‘The Dream of the Rood’”

Guy Davenport, “In Love with All Things Made”

R. S. Thomas, “Remembering David Jones”

John Tripp, “A David Jones Mural at Llanthony”

John Montague, “From The Great Bell (Conversations with David Jones, 1969-1975)”

Anne Beresford, “Thomas”

René Hague, “From Dai Greatcoat: A Self-Portrait of David Jones in His Letters”

David Jones, “Letters to H.S. Ede”

William Blissett, “From The Long Conversation”

Thomas Dilworth, “David Jones and Fascism”

The Poet

In Parenthesis

Colin Hughes, “David Jones: The Man Who Was on the Field. In Parenthesis as Straight Reporting”

William Blissett, “The Syntax of Violence”

Neil Corcoran, “Spilled Bitterness: In Parenthesis in History”

Vincent Sherry, “The Ineluctable Monologuality of the Heroic”

The Anathemata

N. K. Sandars, “The Present Past in The Anathemata and Roman Poems”

Jeremy Hooker, “In the Labyrinth: An Exploration of The Anathemata

Thomas Dilworth, “The Shape of Time in The Anathemata

Patrick Deane, “The Text as ‘Valid Matter’: Language and Style in The Anathemata

The Sleeping Lord and The Roman Quarry

Teresa Godwin Phelps, “The Tribune and the Tutelar: The Tension of Opposites in The Sleeping Lord

Tony Stoneburner, “Notes Toward Performing ‘The Sleeping Lord’”

John Peck, “Poems for Britain, Poems for Sons”

Vincent Sherry, “The Roman Quarry of David Jones: Extraordinary Persepective”

The Artist

Eric Gill, “From ‘David Jones’”

Kenneth Clark, “Some Recent Paintings by David Jones”

Arthur Giardelli, “Four Related Works by David Jones”

Paul Hills, “‘The Pierced Hermaphrodite’: David Jones’s Imagery of the Crucifixion”

The Thinker

Kathleen Henderson Staudt, “The Decline of the West and the Optimism of the Saints: David Jones’s Reading of Oswald Spengler”

Thomas R. Whitaker, “Homo Faber, Homo Sapiens”

The Testament

Samuel Rees, “David Jones Bibliography”

Paul Hills, “A List of Drawings, Paintings, Carvings, and Inscriptions by David Jones in Public Collections”


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H.D.: Woman and Poet

Edited by Michael King


Loved of Love

Perdita Schaffner, “Keeper of the Flame”

Mary de Rachewiltz, “For H.D.”

Silvia Dobson, “Woof and Heave and Surge and Wave and Flow”

May Sarton, “Letters from H.D.”

John Walsh, “H.D., C.G. Jung & Küsnacht: Fantasia on a Theme”

The Heritage

Rachel Blau DuPlessis, “Family, Sexes, Psyche: An Essay on H.D. and the Muse of the Woman Writer”

Susan Stanford Friedman, “Modernism of the ‘Scattered Remnant’: Race and Politics in the Development of H.D.’s Modernist Vision”

In the Tradition

Alicia Ostriker, “Staring at the Pacific, and Swimming In It”

John Peck, “A Weaving at the Zollbrücke in Zürich”

Rachel Blau DuPlessis, “Praxilla’s Silliness”

Sandra M. Gilbert, “Lesbos”

Barbara Guest, “Biography”

The Poet

Dale Davis, “Heliodora’s Greece”

Mary K. DeShazer, “‘A Primary Intensity Between Women’: H.D. and the Female Muse”

Albert Gelpi, “Re-membering the Mother: A Reading of H.D.’s Trilogy

Deborah Kelly Kloepfer, “Mother as Muse and Desire: The Sexual Politics of H.D.’s Trilogy

The Prose Writer

L. S. Dembo, “H.D. Imagiste and Her Octopus Intelligence”

Adalaide Morris, “Autobiography and Prophecy: H.D.’s The Gift

Janice S. Robinson, “What’s In a Box?: Psychoanalytic Concept and Literary Technique in H.D.”

Jeanne Kerblat-Houghton, “‘But Am I Wrong’?: A Study of Interrogation in End to Torment

Joseph Milicia, “Bid Me to Live: Within the Storm”

Film and Photography

Charlotte Mandel, “Magical Lenses: Poet’s Vision Beyond the Naked Eye”

Diane Collecott, “Images at the Crossroads: The ‘H.D. Scrapbook’”

Anne Friedberg, “Approaching Boarderline

The Testament

Mary S. Mathis and Michael King, “An Annotated Bibliography of Works About H.D.: 1969-1985”

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George Oppen: Man and Poet

Edited by Burton Hatlen


The Milieu

Harvey Shapiro, “Brooklyn/San Francisco”

Burton Hatlen and Tom Mandel, “Poetry and Poetics: A Conversation with George and Mary Oppen”

Mary Oppen, “Re: Maine”

John Peck, “George Oppen and the World in Common: A Descriptive Polemic”

Randolph Chilton, “The Place of Being in the Poetry of George Oppen”

Paul Lake, “The Archetypal Gesture: Myth and History in the Poetry of George Oppen”

Rachel Blau DuPlessis, “Objectivist Poetics and Political Vision: A Study of Oppen and Pound”

Eric Mottram, “The Political Responsibilities of the Poet: George Oppen”

Edward Hirsch, “‘Out There Is the World’: The Visual Imperative in the Poetry of George Oppen and Charles Tomlinson”

Eric Homberger, “George Oppen and the Culture of the American Left”

The Method

L.S. Dembo, “Oppen on His Poems: A Discussion”

Marjorie Perloff, “‘The Shape of the Lines’: Oppen and the Metric of Difference”

Michael Andre Bernstein, “Reticence and Rhetorics: The Poetry of George Oppen”

Hugh Seidman, “‘Boy’s Room’: A Note on Clarity and Detachment”

Abby Shapiro, “Building a Phenomenological World: Cubist Technique in the Poetry of George Oppen”

Harvey Kail, “A Test of Images: George Oppen’s ‘Vulcan'”

The Canon

Discrete Series

William Carlos Williams, “The New Poetical Economy”

Tom Sharp, “George Oppen, Discrete Series, 1929-1934″

Harold Schimmel, “(On) Discrete Series

Middle Period

Burton Hatlen, “‘Not Altogether Lone in a Lone Universe’: George Oppen’s The Materials

Norman M. Finkelstein, “The Dialectic of This In Which

Henry Weinfield, “‘Of Being Numerous’ by George Oppen”

David McAleavey, “Clarity and Process: Oppen’s Of Being Numerous

Recent Work

Donald Davie, “Notes on George Oppen’s Seascape: Needle’s Eye

Michael Hamburger, “George Oppen’s Collected Poems

Michael Heller, “Conviction’s Net of Branches”

Theodore Enslin, “Of What is Prime and Primal: Considerations of George Oppen’s Primitive

The Testament

David McAleavey, “A Bibliography of Discussions of George Oppen’s Work: Reviews, Articles, Essays, and Books”

Burton Hatlen and Julie Courant, “Annotated Chronological Bibliography of Discussions of George Oppen’s Work: Reviews, Articles, Essays, and Books”

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Basil Bunting: Man and Poet

Edited by Carroll F. Terrell


The Man

Carroll F. Terrell, “An Eccentric Profile”

Hugh Kenner, “The Sound of Sense”

Theodore Enslin, “As Homage to Basil Bunting: Some Articles of Faith”

The Poet

Eric Mottram, “‘An Acknowledged Land’: Love and Poetry in Bunting’s Sonatas”

David M. Gordon, “The Structure of Bunting’s Sonatas”

Sister Victoria Marie Forde, S.C., “The Odes”

Peter Quartermain, “‘To Make Glad the Heart of Man’: Bunting, Pound and Whitman”

A Briggflatts Symposium

Donald Davie, “One Way to Misread Briggflatts

John Peck, “Bardic Briggflatts”

M. L. Rosenthal, “Streams of Tonality in Bunting’s Briggflatts

L.S. Dembo, “Bunting’s Briggflatts: A Strong Song to Tow Us”

Anthony Suter, “Briggflatts and the Resurrection of Basil Bunting”

The Thinker

Dale Reagan, “Basil Bunting obiter dicta”

William S. Milne, “Basil Bunting’s Prose and Criticism”

The Translator

Cid Corman, “Earwork”

Sister Victoria Marie Forde, S.C., “The Translations and Adaptations of Basil Bunting”

Parvin Loloi & Glyn Pursglove, “Basil Bunting’s Persian Overdrafts: A Commentary”

The Testament

Dana Wilde, “Year by Year Bibliography of Basil Bunting”

Roland Nord, “A Bibliography of Works about Basil Bunting with Extended Commentary”

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