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Posts Tagged ‘Rachel Blau DuPlessis’

Mina Loy: Woman and Poet

Edited by Maeera Shreiber and Keith Tuma

CONTENTS

Love Songs to Joannes

Eric Murphy Selinger, “Love in the Time of Melancholia”

Rachel Blau DuPlessis, “‘Seismic Organism’: Sexual Intercourse and Narrative Meaning in Mina Loy”

Peter Quartermain, “‘The Tattle of Tongueplay’: Mina Loy’s Love Songs

Maeera Shreiber, “‘Love Is a Lyric / of Bodies’: The Negative Aesthetics of Mina Loy’s Love Songs to Joannes

Jeffrey Twitchell-Waas, “‘Little Lusts and Lucidities’: Reading Mina Loy’s Love Songs

Anglo-Mongrels and the Rose

Marjorie Perloff, “English as a ‘Second’ Language: Mina Loy’s ‘Anglo-Mongrels and the Rose’”

Elisabeth Frost, “Mina Loy’s ‘Mongrel’ Poetics”

Keith Tuma, “Mina Loy’s ‘Anglo-Mongrels and the Rose’”

Enter Mina Loy

Mina Loy: Interview with Paul Blackburn and Robert Vas Dias, introduction by Carolyn Burke

Roger Conover, “(Re) Introducing Mina Loy”

Susan Gilmore, “Imna, Ova, Mongrel, Spy: Anagram and Imposture in the Work of Mina Loy”

Anita Helle, “Playing with Elegy: Mina Loy’s Poetry of Mourning”

Tyrus Miller, “‘Everyman His Own Fluroscope’: Mina Loy’s Insel Between Aura and Image Machine”

Ellen Keck Stauder, “Mina Loy on Brancusi and the Futurists”

Janet Lyon, “Mina Loy’s Pregnant Pauses: The Space of Possibility in the Florence Writings”

Marisa Januzzi, “Mongrel Rose: The ‘Unerring Esperanto’ of Loy’s Poetry”

Susan E. Dunn, “Mina Loy, Fashion, and the Avant-Garde”

Richard Cook, “The ‘Infinitarian’ and Her ‘Macro-Cosmic Presence’: The Question of Loy and Christian Science”

A Poet’s Corner

Kathleen Fraser, “‘Contingent Circumstances’: Mina Loy/Basil Bunting”

Norma Cole, “A Few Words About Mina Loy”

Barbara Guest, “Note on Mina Loy”

Rachel Blau DuPlessis, “A Letter on Loy”

Anne Waldman, “Tantrik Loy”

Bibliography

Marisa Januzzi, “A Bibliography of Works By and About Mina Loy”

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Lorine Niedecker: Woman and Poet

Edited by Jenny Penberthy

The Life

Jerry Reisman, “Lorine: Some Memories of a Friend”

Edwin Honig, “A Memory of Lorine Niedecker in the Late ‘30s”

Lorine Niedecker, “Letters to Celia and Paul Zukofsky, 1949-1959”

Paul G. Hayes, “‘At the Close – Someone’: Lorine’s Marriage to Al Millen”

Gail Roub, “Getting to Know Lorine Niedecker”

Lorine Niedecker, “Local Letters”

The Woman

Rachel Blau DuPlessis, “Lorine Niedecker, the Anonymous: Gender, Class, Genre and Resistances”

Jane Augustine, “‘What’s Wrong with Marriage’: Lorine Niedecker’s Struggle with Gender Roles”

Marjorie Perloff, “‘L. Before P.’: Writing ‘For Paul’ for Louis”

The Poet I

Lorine Niedecker, “Letters to Poetry Magazine, 1931-1937”

Peter Nicholls, “Lorine Niedecker: Rural Surreal”

Peter Quartermain, “Reading Niedecker”

Michael Heller, “The Objectified Psyche: Marianne Moore and Lorine Niedecker”

Jeffrey Peterson, “Lorine Niedecker: ‘Before Machines’”

Richard Caddel, “Consider: Lorine Niedecker and Her Environment”

Gilbert Sorrentino, “Misconstruing Lorine Niedecker”

The Poet II

Karl Gartung, “Photographs of Wintergreen Ridge, early spring 1992”

Kenneth Cox, “The Longer Poems”

Lorine Niedecker, “Lake Superior Country”

Douglas Crase, “Niedecker and the Evolutional Sublime”

Joseph M. Conte, “Natural Histories: Serial Form in the Later Poetry of Lorine Niedecker”

Donald Davie, “Niedecker and Historicity”

Lisa Pater Franada, “‘Seashells on Mountain Tops’: The Poetics of Aging”

The Testament

Tandy Sturgeon, “An Annotated Secondary Bibliography of Lorine Niedecker, 1947-1995”

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H.D.: Woman and Poet

Edited by Michael King

CONTENTS

Loved of Love

Perdita Schaffner, “Keeper of the Flame”

Mary de Rachewiltz, “For H.D.”

Silvia Dobson, “Woof and Heave and Surge and Wave and Flow”

May Sarton, “Letters from H.D.”

John Walsh, “H.D., C.G. Jung & Küsnacht: Fantasia on a Theme”

The Heritage

Rachel Blau DuPlessis, “Family, Sexes, Psyche: An Essay on H.D. and the Muse of the Woman Writer”

Susan Stanford Friedman, “Modernism of the ‘Scattered Remnant’: Race and Politics in the Development of H.D.’s Modernist Vision”

In the Tradition

Alicia Ostriker, “Staring at the Pacific, and Swimming In It”

John Peck, “A Weaving at the Zollbrücke in Zürich”

Rachel Blau DuPlessis, “Praxilla’s Silliness”

Sandra M. Gilbert, “Lesbos”

Barbara Guest, “Biography”

The Poet

Dale Davis, “Heliodora’s Greece”

Mary K. DeShazer, “‘A Primary Intensity Between Women’: H.D. and the Female Muse”

Albert Gelpi, “Re-membering the Mother: A Reading of H.D.’s Trilogy

Deborah Kelly Kloepfer, “Mother as Muse and Desire: The Sexual Politics of H.D.’s Trilogy

The Prose Writer

L. S. Dembo, “H.D. Imagiste and Her Octopus Intelligence”

Adalaide Morris, “Autobiography and Prophecy: H.D.’s The Gift

Janice S. Robinson, “What’s In a Box?: Psychoanalytic Concept and Literary Technique in H.D.”

Jeanne Kerblat-Houghton, “‘But Am I Wrong’?: A Study of Interrogation in End to Torment

Joseph Milicia, “Bid Me to Live: Within the Storm”

Film and Photography

Charlotte Mandel, “Magical Lenses: Poet’s Vision Beyond the Naked Eye”

Diane Collecott, “Images at the Crossroads: The ‘H.D. Scrapbook’”

Anne Friedberg, “Approaching Boarderline

The Testament

Mary S. Mathis and Michael King, “An Annotated Bibliography of Works About H.D.: 1969-1985”

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George Oppen: Man and Poet

Edited by Burton Hatlen

CONTENTS

The Milieu

Harvey Shapiro, “Brooklyn/San Francisco”

Burton Hatlen and Tom Mandel, “Poetry and Poetics: A Conversation with George and Mary Oppen”

Mary Oppen, “Re: Maine”

John Peck, “George Oppen and the World in Common: A Descriptive Polemic”

Randolph Chilton, “The Place of Being in the Poetry of George Oppen”

Paul Lake, “The Archetypal Gesture: Myth and History in the Poetry of George Oppen”

Rachel Blau DuPlessis, “Objectivist Poetics and Political Vision: A Study of Oppen and Pound”

Eric Mottram, “The Political Responsibilities of the Poet: George Oppen”

Edward Hirsch, “‘Out There Is the World’: The Visual Imperative in the Poetry of George Oppen and Charles Tomlinson”

Eric Homberger, “George Oppen and the Culture of the American Left”

The Method

L.S. Dembo, “Oppen on His Poems: A Discussion”

Marjorie Perloff, “‘The Shape of the Lines’: Oppen and the Metric of Difference”

Michael Andre Bernstein, “Reticence and Rhetorics: The Poetry of George Oppen”

Hugh Seidman, “‘Boy’s Room’: A Note on Clarity and Detachment”

Abby Shapiro, “Building a Phenomenological World: Cubist Technique in the Poetry of George Oppen”

Harvey Kail, “A Test of Images: George Oppen’s ‘Vulcan'”

The Canon

Discrete Series

William Carlos Williams, “The New Poetical Economy”

Tom Sharp, “George Oppen, Discrete Series, 1929-1934″

Harold Schimmel, “(On) Discrete Series

Middle Period

Burton Hatlen, “‘Not Altogether Lone in a Lone Universe’: George Oppen’s The Materials

Norman M. Finkelstein, “The Dialectic of This In Which

Henry Weinfield, “‘Of Being Numerous’ by George Oppen”

David McAleavey, “Clarity and Process: Oppen’s Of Being Numerous

Recent Work

Donald Davie, “Notes on George Oppen’s Seascape: Needle’s Eye

Michael Hamburger, “George Oppen’s Collected Poems

Michael Heller, “Conviction’s Net of Branches”

Theodore Enslin, “Of What is Prime and Primal: Considerations of George Oppen’s Primitive

The Testament

David McAleavey, “A Bibliography of Discussions of George Oppen’s Work: Reviews, Articles, Essays, and Books”

Burton Hatlen and Julie Courant, “Annotated Chronological Bibliography of Discussions of George Oppen’s Work: Reviews, Articles, Essays, and Books”

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